2019年AP艺术史简答题真题+答案+PDF下载
1. The work shown is a statue of Augustus of Prima Porta, created during the early first century C.E. The statue’s iconography (its imagery and symbols) communicates ideals of political power and authority in imperial Rome.
Select and completely identify another work depicting a ruler in which iconography communicates ideals of political power and authority. You may select a work from the list below or any other relevant work.
Describe the iconography of both the statue of Augustus of Prima Porta and your selected work.
Using specific visual evidence from both works, explain at least two similarities in how the two works communicate ideals of political power and authority.
Explain at least one difference in how the two works communicate ideals of political power and authority within their respective cultures. Use specific visual or contextual evidence about both the statue of Augustus of Prima Porta and your selected work in your explanation.
When identifying the work you select, you should try to include all of the following identifiers: title or designation, name of the artist and/or culture of origin, date of creation, and materials. You will earn credit for the identification if you provide at least two accurate identifiers, but you will not be penalized if any additional identifiers you provide are inaccurate. If you select a work from the list below, you must include at least two accurate identifiers beyond those that are given.
George Washington
Jahangir Preferring a Sufi Shaikh to Kings
Ndop (portrait figure) of King Mishe miShyaang maMbul
2. Many artists from Later Europe and Americas (1750–1980 C.E.) communicate a social or political statement through their depictions of the natural world.
Select and completely identify one work in which the artist communicates a social or political statement through the depiction of the natural world. You may select a work from the list below or any other relevant work from Later Europe and Americas (1750–1980 C.E.).
Describe at least two elements of form or content in the work.
Explain the social or political statement that the artist was making in the work.
Using specific visual evidence, explain how the artist used form or content to reinforce the social or political statement.
Then, using specific contextual evidence, explain why the artist depicted the natural world in this way to persuade the viewer of the social or political statement.
When identifying the work you select, you should try to include all of the following identifiers: title or designation, name of the artist and/or culture of origin, date of creation, and materials. You will earn credit for the identification if you provide at least two accurate identifiers, but you will not be penalized if any additional identifiers you provide are inaccurate. If you select a work from the list below, you must include at least two accurate identifiers beyond those that are given.
The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm)
Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)
The Valley of Mexico from the Hillside of Santa Isabel (El Valle de México desde el Cerro de Santa Isabel)
3. The work shown is Last Supper, painted by Leonardo da Vinci between 1494 and 1498 C.E.
Describe how Leonardo created a sense of depth.
Describe how Leonardo represented the figures.
Using specific visual evidence, explain at least two ways in which Leonardo has created an emphasis on Christ.
Explain how these visual characteristics of Last Supper are typical of the Renaissance, the era in which Leonardo worked.
2019年AP艺术史简答题真题余下省略！
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