2018年AP艺术史简答题真题+答案+PDF下载
1. Suggested time: 30 minutes.
The work shown is a battle scene from the Great Altar of Zeus and Athena at Pergamon, created c. 175 B.C.E.
Select and completely identify another work that also depicts a battle or conflict. You may select a work from the list below or any other relevant work from Ancient Mediterranean (3500 B.C.E. to 300 C.E.).
For both the Great Altar of Zeus and Athena at Pergamon and your selected work, describe the subject matter of the battle or conflict that is depicted.
Using specific visual evidence from both works, explain at least two similarities and/or differences in how the imagery depicts the battle or conflict.
Explain one similarity in how the imagery of battles or conflicts in both works reinforces concepts of power or leadership. Use specific contextual evidence from both the Great Altar of Zeus and Athena at Pergamon and your selected work in your explanation.
When identifying the work you select, you should try to include all of the following identifiers: title or designation, culture of origin, date of creation, and materials. You will earn credit for the identification if you provide at least two accurate identifiers, but you will not be penalized if any additional identifiers you provide are inaccurate. If you select a work from the list below, you must include at least two accurate identifiers beyond those that are given.
Column of Trajan
Palette of King Narmer
2. Suggested time: 30 minutes.
Contemporary artists often choose specific materials or imagery to comment on the legacy of colonialism.
Select and completely identify one work of art in which the artist chose specific materials or imagery to comment on the legacy of colonialism. You may select a work from the list below or any other relevant work from Global Contemporary (1980 C.E. to Present).
Describe at least two materials or examples of imagery used in the work that are related to the legacy of colonialism.
Explain the commentary on the legacy of colonialism that the artist intended to make through the choice of the materials or imagery. Use at least two examples of specific contextual evidence about the materials or imagery in your explanation.
When identifying the work that you select, you should try to include all of the following identifiers: title or designation, name of the artist and/or culture of origin, date of creation, and materials. To earn credit for the identification, you must provide the materials and one additional accurate identifier of your own selection. If you select a work from the list below, you must provide the materials and one additional accurate identifier of your own selection beyond those that are given. You will not be penalized if any additional identifiers you provide are inaccurate.
Pisupo Lua Afe (Corned Beef 2000)
The Swing (after Fragonard)
Trade (Gifts for Trading Land with White People)
3. Suggested time: 15 minutes.
The work shown is The Court of Gayumars, a folio from Shah Tahmasp’s Shahnama, created c. 1522–1525 C.E.
Describe the subject matter of The Court of Gayumars.
Describe at least two visual characteristics of The Court of Gayumars.
Using specific contextual evidence, explain how a Shahnama was intended to function.
Using specific visual evidence, explain how the subject matter or visual characteristics of The Court of Gayumars reinforce the function of a Shahnama.
2018年AP艺术史简答题真题余下省略！
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